Lou. Enough said.

Lou. Enough said.

CUBA, Mo.—-Lou Whitney was proud to tell tourists and visiting musicians that the Carter Family lived in a two story Victorian brick house in 1949-50 when they appeared with Red Foley on the radio version of the Ozark Jubilee in Springfield, Mo.

That was Lou; talking about Springfield history before he would talk about himself.

In July we took Lou to the empty lot off of old Route 66 where Mother Maybellle, Anita, Helen and June Carter once lived. Lou stood tall, like a mountain in a meadow. His eyes squinted into the Ozark evening sun. He had his hands tucked in the front pockets of his blue jeans and he looked around the calm landscape. His feet were firmly planted on the ground. As always.

There were no airs about Lou Whitney.

I talked my friend and award winning CBS-TV cameraman Tom Vlodek into driving from Chicago to the Ozarks for the July weekend. Lou’s rock n’ roll band the Morells were reuniting to play a high school reunion in Springfield. We wanted to film the concert and interview band members for a possible prose-documentary that uses the acclaimed Morells/Skeletons as a window into the lost history of Springfield music. I’m glad we made that trip.

Lou died Oct. 7 at his Springfield home from complications of cancer and a fall he took in his home in late September. He was 71 years old. Lou never stopped playing and recording other voices.

He never stopped honoring the power of music.

Dave Alvin, Eric Ambel, the Del Lords, Robbie Fulks, Jonathan Richman, Syd Straw, the Bottle Rockets and Wilco are among those who made the pilgrimage to record with Lou and emplloy the Morells/Skeletons at Lou’s studio in downtown Springfield.

I hear Lou just about every day.

The lineage of his own best known recordings dates back to 1979 when the pop-rock Skeletons were created as a back up band for singer-songwriter Steve Forbert. Lou had been bassist-vocalist for the Symptoms (think Ramones meets rockabilly cat Billy Lee Riley) who had been playing six nights a week in the Pub Mobile bar in Rolla, Mo., halfway between Springfield and St. Louis. Lou would remind you the bar was part of an automobile museum on a plot of land owned by a guy who dated “Elly Mae Clampett” of the Beverly Hillbillies.

Donna Douglas, upper left. The Beverly Hillbillies jalopy is on display at the Ralph Foster Museum, south of Springfield.

Donna Douglas (Ellie May Clampett) , upper left. The Beverly Hillbillies jalopy is on display at the Ralph Foster Museum, south of Springfield.

The Morells followed around 1981, the Skeletons returned in 1992 when the San Francisco Chronicle named “Waiting” one of the top 10 albums of the year. In May, 2004 the Morells were the band playing behind Bo Diddley at FitzGerald’s in Berwyn. Back and forth, restless hearts. The Skeletons 1991 track “Outta My Way” got major airplay on WXRT-FM in Chicago and porn star Seka used it as a dance number when she appeared at the Admiral Theater in Chicago.

Lou had vaudeville gumption.

He fought hard in his battle against cancer. He was given six months to live in February, 2013. Lou and his beloved wife Kay drove countless eight-hour round trips between Springfield and St. Louis for experimental therapies. He had a cancerous kidney removed on May 21, 2013. Lou bought extra time to be with his family and friends and  to continue to work with regional Springfield music in his studio.

In July we spent a Saturday afternoon with Lou. On Sunday we treated him at his favorite cashew chicken joint on the south side of town. Lou was sharing stories and they were good and some were spicy. Lou was an avatar of Springfield music history.

Country Music Hall of Famers Porter Wagoner and Brenda Lee got their starts on the Ozark Jubilee radio and television show. Chet Atkins was a studio guitarist for the Ozark Jubilee. Wayne Carson, who wrote the Box Top hits wrote the Box Top hits “The Letter” and “Soul Deep” in Springfield as well as the smash co-write “Always On My Mind,” recorded by Brenda Lee, Elvis Presley and Willie Nelson. His father Shorty Thompson appeared on the Jubilee radio and television shows. Actor Brad Pitt is from Springfield. Lou always had something new to drop on you. In July he told us the Birdman of Alcatraz, a.k.a. Robert Stroud,  died in (a federal prison) in Springfield.

They all left.

Lou stayed.

Lou was rugged Americana before Americana got gussied up. Next fall’s Americana awards in Nashville needs to find a way to honor Lou. Like thousands of others who encountered Lou, I never grew tired of hearing his stories. Even the same story several times. Lou was the only guy I know who liked to borrow from Lil’ Abner when he talked about his adopted home town: “Springfield is more like it was the last time you were here than it is now.”

Scott Kempner of the Dictators and the Del-Lords wrote on Facebook, “Lou was a constant guide, friend, inspiration, hero and musical companion. Truly one of a kind, high-end, top shelf human being. I don’t think I could have worked with anyone else than Lou and the Skeletons, the best band in America you might not know…Taking a minute to remember them all at this time and a special salute to Lou, the greatest man I have ever known.”

The Skeletons sign a fancy pants record contract (L to R), Bobby Lloyd Hicks, Joe Terry, Lou, D. Clinton Thompson, Kelly Brown

The Skeletons sign and fax a fancy pants record contract (L to R), Bobby Lloyd Hicks, Joe Terry, Lou Whitney, D. Clinton Thompson, Kelly Brown

In 2001 Springfield attorney and former music writer Dale Wiley started the Slewfoot Records label with Lou. They even went full tilt Alan Lomax and ventured into the field to record congregations singing hymns at rural churches around the Ozarks. In late September Wiley created “The Best Facebook Thread Ever” for favorite Lou quotes. Here’s some:

I’ve been around the world twice and talked to everyone once”—Trent Wilson

Did I ever tell you how to butcher a hog?”–Cecelia Ellis Havens

Americana radio’s like Spanish fly and a nymphomaniac: everybody says they exist, but you or I sure as hell ain’t seen one”–Dale Wiley

“Lou Whitney loudly at the restaurant at the Silver Saddle: ‘I’d like some ice cream. They got no ice cream in prison.”–Eric Ambel.

Cars are the art form of the working class”–Dave Hoekstra

My bad. One more time,” on about my 10th take he always acts like it is him who messed up, not me…even when we all knew it was really me. And theres the time he said of my southern gospel singing mama, ‘Man, she sang the hell out of that song!”–Robin Bilyeu Rees

I once had a felafel–I feltawful”–Rick Wood

Give me a little George of the Jungle on the rack tom”—Trent Wilson.

Lou was reticent about playing bass with his band at the July reunion show. He was weak and he didn’t want the attention. “If I felt better I’d play with them again,” he told me. “It’s an emotional thing. I didn’t want to be ‘That Guy,’ you know the guy you see on the television special, and you go, ‘Oh my God, he hasn’t retired yet.’ I was playing when I was 70 (see my January, 2013 birthday post).

My friend Lou Whitney (Dave Hoekstra photo)

My friend Lou Whitney (Dave Hoekstra photo)

Lou did not want a funeral. “And NO band jam memorial,” his long time friend and drummer Bobby Lloyd Hicks wrote in an Oct. 2 e-mail. Lou did request that his body be donated to science. Transportation costs for a Springfield funeral home to take Lou’s remains to Washington University in St. Louis were $1,200. A “Send Lou to Camp” GoFundMe campaign raised $2,525 in one day. The extra money goes to Lou’s wife and family.

Doing some quick math, Lou figured he had been playing with some core of the Morells-Skeletons (Hicks, keyboardist Joe Terry, guitarist Donnie Thompson) for 46 years.

What did he learn about himself after all that time?

“A lot of it is confidence,” he answered in satisfied tones. “When you set yourself in the middle of those guys you look good. I don’t care who you are. You know that you’re knocking it out of the park. People dance. If you’re good enough to have that day in and out you can put up with a crappy day easy. A band is like a family. Even if we didn’t see each other for two or three years, we could just pick  up and go.

“That’s comforting to me.”

*                                                                *

Lou Whitney III was born in 1943 and raised in Phoenix, Az. Singing cowboy Gene Autry was in the Army Air Corps at Luke Field in Phoenix and visited the hospital where Lou was born. “Gene Autry got my attention,” he quipped in July.

Lou was the grandson of Louis B. Whitney, the former mayor of Phoenix and unsuccessful candidate for Congress on the Democratic ticket. His son Harold Lou Whitney was a successful Phoenix attorney.

In a tender Oct. 2 Facebook tribute, New York singer-songwriter Mary McBride wrote, “Lou was a tried and true Democrat, one of the best, who infused common sense and utter hilarity into every argument and who could actually separate the good Republicans from the bad. A skill many of us sitting out in the political left field have still not developed. I know Lou will always somehow be watching the polls and trying to steer the vote to the right side of the aisle. I know he will always editing gratuitious lines from songs that think too much of themselves. And I hope he feels great satisfaction in knowing he made an enormous impact on so many people. I am just one of them. How lucky we all are.”

Singer-songwriter-producer Ben Vaughn made it big scoring music for film and television in projects like “That ’70s Show,” “3rd Rock from the Sun” and “Psycho Beach Party.” On his Facebook page Vaughn said it it wasn’t for Lou, he wouldn’t have a career in the music business. “He was the first guy to deem my songs worthy of public consumption,” Vaughn wrote. “In 1982 the Morells recorded a tune of mine for their album ‘Shake & Push’. Without knowing it, I had touched the hem of the garment. Everything changed for me after that. I had no idea how much respect he commanded in the music world.”  The Morells amped up Vaughn’s “The Man Who Has Everything” and the Skeletons later did double keyboard justice to Vaughn’s “I Did Your Wig.”

The Morells had a hit with "Red's," a pre-Guy Fieri hamburger stand on Route 66 in Springfield.

The Morells had a hit with “Red’s,” a pre-Guy Fieri hamburger stand on Route 66 in Springfield.

Lou III left Phoenix by the time he was 16 to live with relatives in the mountains near Bristol, Tn. He was already following the path of the Carter Family. Lou obtained a degree in real estate at Eastern Tennessee University. “It’s a language, actually,” he said in our 2013 conversation. He started playing in tuxedo drenched show bands that were popular in the soul-driven Beach Music scene of the Carolinas, Georgia and Eastern Tennessee. Lou was also a sideman with Arthur Conley of “Sweet Soul Music” fame.

“The World War II and Korea party guys came home with G.I. benefits,”  Lou explained in July. “They went to school at the University of South Carolina. Partying every night. And going out to see these bands. Shag dancing got real big. If you wanted to play a fraternity party at the University of Alabama, you better know some Bill Deal and The Rhondells. Music trends didn’t happen all over the United States. You could go to Denver and never hear of Chairmen of the Board or the Tams. It didn’t get played. But down south it did.”

One of the Skeletons most endearing covers was the Swinging Medallions 1966 Beach Music classic “Double Shot (Of My Baby’s Love).”

 In 1970 Lou moved to Springfield to sell mail order real estate to  folks in Illinois and Wisconsin who were dreaming of the wide open spaces of the Ozarks. “It was a dying art,” he said in July. “In fact I saw my first fax machine in a real estate office in Springfield. But I really came here to play in bands.”

More than once Lou told me that he and his “Wrecking Crew” Morells-Skeletons musicians were defenders of the song. That’s why songwriters loved working with Lou and it is why his bands did such pure justice with the hundreds of cover songs they did over the years. With Lou on my mind I read Ken Sharp’s Sept. 27 Q & A with former Rolling Stones manager and XM-Sirius host Andrew Loog Oldham in the Sept. 27 issue of Goldmine magazine. “The world is so noisy,” Oldham said. “Music has been wounded by Steve Jobs’ technology; greed and ego is fighting for survival. The main role of the artist is to serve the song, as opposed to him or herself. That is difficult to understand in a world where all technology supports the dangerous charade. Give me John Prine any day over what Simon Cowell barfs up. What’s the result? You’ve got Adele, who is great at receiving awards, but could no more put a set together than a politician could tell the truth.”

Lou was like a good editor. He was an advocate for his talent. He never got in the way. He maintained a dignified work ethic. Here’s Lou setting the table in 1991 on L.A. hipster’s “Art Fein’s Poker Party.”

                               /

In July Lou reflected, “We played together in this tight realistic, no nonsense combo. Playing a bass part all the way through a song, the guitar rhythm and the drum pattern and singing the song. Playing the solos as they existed and getting the breaks rights. We drifted into that. We became popular. Roscoe (Eric Ambel) used to say, ‘When you play a Ramones song it sounds so perfect.’ Well, we couldn’t help it. We’re the best band in the world and we opened for this and we opened for that? I don’t know.

“We’re the band next door. Four guys you would never believe were in a band. We set up and play and if we’re having a good day you go, ‘Yow!’  Even we’re going ‘Yow!’ That’s a good thing. Being in a band is a job like anything else. We practice our songs, learn them and we get better on the job.”

Lou never stopped learning, teaching and sharing. During the rest of my visits to Springfield, I will tell tourists and visiting musicians about the benevolent magic of Lou Whitney. His humble glory roars across America.

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17 Responses to Lou Whitney: Defender of the Song

  1. Todd says:

    Damn. I’m going to miss this guy.

  2. Paul says:

    The truth,Ruth. I recently wrote to Lou thanking him for the man lessons. The laughing man lessons. Beautiful appreciation of a much larger than life king among men

    • Dave Hoekstra says:

      Thanks Paul, His love of the game matches yours. Saw Lloyd tonight, he says you are playing with the Q in Milwaukee. Perfect!

  3. Rich Nesin says:

    Thanks, Dave. Beautifully written. Totally true. Sadly necessary.

  4. David Murphy says:

    Well said, Dave. Lou honestly affected so many people in so many positive ways. I followed him since stumbling into The Morells during my Carbondale college days. Never lost touch of him, always admired him. RIP Lou.

  5. charley krebs says:

    What a wonderful, informed and heartfelt tribute to your good friend, Dave! I saw Lou and his bands play Fitzgeralds of course (in fact I will never forget the first time… man they knocked us out!) and another great memory is the unlikely chance of meeting them performing at First Avenue in Minneapolis! Thanks for capturing yet another great cultural moment and one of its foremost messengers!

    • Dave Hoekstra says:

      Thank you Charley, your thoughts mean a lot.
      And while Lou is gone in a physical sense there will be more–you can count on that.

  6. […] Route 66 fan Dave Hoekstra met Whitney and posted some memories after the announcement of his […]

  7. Dan Callahan says:

    Great piece. We already miss him.

  8. Phil Shoemaker says:

    “Clear as a bell…loud as a motherfucker!!!”

  9. Stephen Whitworth says:

    A beautifully written piece about a great guy. Please continue with the film project. Much like the recent movie about Big Star and the one that is being made about the Flamin’ Groovies, somebody needs to tell the story of the Morells/Skeletons and Springfield and their place in music history. Lou would feel humble but proud to know how much he meant to so many of us.

    • Dave Hoekstra says:

      Thanks Stephen. Good thoughts like yours moves us forward. We gathered archival live footage today; still trying to figure out an arc and focus. Several years ago I did a two-part series on the history of Springfield music for the Country Music Hall of Fame’s Journal of Country Music Lou and Lloyd were such generous tour guides we thought it could be a template for something visual and deeper. Watch this space down the road, we’re trying a 10 minute pilot to start with.
      Any thoughts or ideas are deeply appreciated. Lou is like Jim Dickinson. He’s still hanging around, yes he is.

  10. Great read Dave. I was blessed beyond words in ’92 when I got to work for Lou & the guys during and after the Dave Alvin stint. My songwriting partner & I would do anything to hustle studio time and it turned into a gig! The first time I went to Chicago with them was probably the Cubby Bear or China Club, then the Beat Kitchen. Taste of Lincoln Ave. was a grate experience, It always blew our minds the crowd of people who actually knew the songs! Lou tagged us with nicknames GregO and JackBoy, whenever they kicked into “Gin” at the end of the set we would run to the bar and down a couple of Sapphire martis. By the time the song was over we were ready to load out! I’ll quit rambling but here is a Louism I still use all the time.. “Whatdya think Jackboy? I think that guitar part needs a little more gazooch!” INDEED.

  11. Eddy Bunge says:

    Lou was a great friend, who truly cared about “you” and the project. Our band, Reunion, recorded two albums at Lou’s Column 1 studio, before he moved downtown. Reunion was made up of the first 50’s bands in Springfield. They were Benny Mahan and the Ravens, Dave Smith and the Blue Notes, and Mike McAlister and he Hi Fi’s. In the early 80’s Al “Doc” Cramer and I started finding members of those bands and put together “Reunion” There were 5 of us and each from one of those bands. Lou would catch us at some of the gigs and set in. What great fun we all had. Lou recorded us on Dat Two Track live with Kelly Brown assisting. [At Column 1 in 1991]. In 2012 I ask Lou if he could put the recording on CD. Lou took on the project himself and re-mastered the whole session,even bringing a gentleman down from St Louis to do compute mastering. The CD was great. I pulled out my check book when the project was finished and Lou came over and hugged me and told me he was honored to record us old farts! With a tear in my eyes I gave Lou a kiss on the cheek …..This was friend, Lou Whitney. As the old song goes…”We’ll Meet Again”…Love you Lou…Eddy

  12. Dave Hughes says:

    I still think that The Morells/The Skeletons were not just the best bar band, they were the best band I’ve ever seen play live. I used to watch them whenever they came to The Zoo Bar in Lincoln, and I was lucky to see them two times in Kansas City, once in Columbus, Ohio, and once in St. Louis when they backed Brian Capps. I knew Lou was sick, but I didn’t know he died until just a few months ago. The world is an emptier place without him…

  13. Lonnie Salyer says:

    While a student at East Tennessee State University, Lou founded a band called Soul Culture in 1967. They recorded at least one single: Champ Records #2017, “Thank You John” / “Hippy From Johnson City”. Lou wrote and sang lead on “Hippy From Johnson City”.

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